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KENNAN TRUMPET PDF

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Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

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His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios. He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden University of Maryland, You are commenting using your Facebook account.

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Kent Kennan – Wikipedia

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The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara The Development The development begins after a short transition from the exposition Dearden The piece ends with a trumpet fanfare in E-flat Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden He was the half brother of the diplomat and historian George F.

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The development begins after a short transition from the exposition Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The American Trumpet Sonata in the s: This section is distinct from the others in this movement because it is the only section that is not muted Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden You can follow any responses to this entry through the RSS 2.

In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden This piece is difficult in many ways.

From Wikipedia, the free encyclopedia. Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor. It returns to the original tempo and centers around E-flat once again Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden The rest of this movement is based largely around this main theme Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden This article on a United States composer born in the 20th century is a stub.

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This page was last edited on 8 Novemberat The piano plays an ostinato under the light, lively trumpet melody Dearden Works Cited Dearden, Jennifer Lorien This movement also has a short closing theme Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden McNamara, Anne Kovarik The first theme is played by the trumpet and is muted Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden This entry was posted on Thursday, April 30th, at 3: To find out more, including how to control cookies, see here: By using this site, you agree to the Terms of Use and Privacy Policy.